Lauren Grodstein tackles the clash between science and faith in 'The Explanation for Everything'

The ongoing debate between Darwinism and intelligent design leaves little room for mutual understanding. After all, one end of the spectrum is rooted in science, maintaining that evolution and natural selection can account for the existence and diversity of life, while the other is founded on faith, positing that the universe and all of its inhabitants were created by a supernatural, intelligent designer.

Is it our beliefs or our biology that shapes us? Lauren Grodstein considers this eternal question in her latest novel.

This clash between science and faith sets the pivot points for a moving tale of life, love, morality and forgiveness, in Lauren Grodstein’s provocative new novel, The Explanation for Everything, published by Algonquin Books.

According to Grodstein, writing the book was a way for her to explore the conflict surrounding evolutionary biology – a subject that has long fascinated her – and fully examine viewpoints that she finds intriguing, but doesn’t necessarily share. “As a writer, there is nothing better than getting into a juicy controversy and trying on all sides,” says Grodstein, an associate professor of English and director of the master of fine arts (M.F.A.) in creative writing program at Rutgers–Camden.

The novel centers around Andy Waite, a professor in a small South Jersey college, who teaches that Darwinism – as the book’s title alludes – is the “explanation for everything.” Still haunted by the death of his wife, Lou, at the hands of a teenage drunk driver, Andy dedicates his research to proving that alcoholism is a genetic state, not a curable disease, leading to unchangeable behavior patterns. While any notions of true happiness are a fleeting memory, he is content in his simple, mundane life as a scholarly professor, congenial neighbor, and devoted father to his two young daughters, Rachel and Belle.

That is – until Andy is asked by a student, Melissa Porter, to serve as her faculty advisor on a research project attempting to prove the validity of intelligent design. While Andy believes that the subject is inherently not provable, he reluctantly agrees.

As Grodstein presents both sides of the ensuing argument, she takes deft care not to depict her characters as hyperbolic caricatures of their beliefs. “I respect my characters; I never want them to feel cartoonish,” she says. “I wanted to present honestly the reasons that people believe what they believe and discuss the ways that those beliefs guide them through their lives. Neither side of the argument is good or bad; they are just different ways of making sense of the universe.”

In his quest for truth, Andy suddenly finds himself questioning his own core-held beliefs. As answers unfold more questions, he is forced to confront many personal issues that have plagued him, including his struggle to forgive Oliver McGee, the young man responsible for Lou dying. “One of the things that Andy is trying to do throughout the novel is figure out how to address the teenage drunk driver who killed his wife in a moral way,” says Grodstein.

She is quick to note that the recurring themes of forgiveness and morality, and the myriad ways in which her characters grapple with these issues, are at the heart of her novel – more so than solving the faith-vs.-science debate once and for all. As she explains, faith is just one of the ways that her characters attempt to achieve a moral life. “For Andy, he figures out that he can still be compassionate and forgiving regardless of his views on God,” she says. “God is secondary to him, but what he really needs to do is address the bad things that he is doing in his own life.”

Grodstein adds that, while questions of faith and science are a part of the novel, she ultimately hopes that readers will be fully engaged in the story, and concerned with what happens to these characters on their respective journeys.  “I try not to write novels with messages intended to teach anyone anything,” she says. “What I really want are interesting characters going through interesting challenges in their lives.”

In preparation for the novel, Grodstein conducted extensive research on both sides of the subject, as evidenced in the well-crafted arguments colliding throughout the book. She also gained immeasurable insight into the lives of working scientists by visiting research labs at Rutgers–Camden and her alma mater, Columbia University. She credits her colleagues for providing a level of expertise and authenticity to her craft that she otherwise wouldn’t have.

“I find that being a professor at Rutgers–Camden really allows me to explore just about anything I want to learn about,” she says. “Speaking with my colleagues, who are among the world’s foremost experts on everything, allows me to gain access to expertise that I don’t have. I don’t think that I would have been able to write either one of my last two books as well as I did without their help.”

Grodstein’s own experiences living and working in New Jersey also add an authentic Garden State flavor to the story. It begins in Princeton and then is set primarily in the Pine Barrens, which she fondly regards as a “beautiful and mysterious area” that she has only recently gotten to experience since relocating to South Jersey. “In the most densely populated state in the nation, it is this sort of secret place,” she says.

A resident of Moorestown, Grodstein is the author of the New York Times bestseller, A Friend of the Family (Algonquin, 2009), which was a New York Times Editor’s Pick, Washington Post Book of the Year, and an Amazon.com Spotlight Pick and Best Book of the Month. Her previous works include Reproduction is the Flaw of Love, (Dial, 2004) an Amazon.com Breakout Book and a Borders Original Voices pick, along with the story collection, The Best of Animals (Persea, 2002) and the pseudonymous Girls Dinner Club (Harper Collins, 2005) which was a New York Public Library Book for the Teen Age. Her work has been translated into German, Italian, French, Turkish, and other languages, and her essays and stories have been widely anthologized. Grodstein earned a bachelor’s degree in English and a master of fine arts degree from Columbia University.